For Kierkegaard the representation of suffering is impossible. The only possibility is that of a figure that cancels itself out to try to bring everyone back to the perceived reality of the suffering of others, while showing its own insufficiency. The problem of the direct perception of something absent leads to the question of faith, as an analogon of perception. This article concludes with an example of a depiction of suffering: the decoration of the Vejleå Church by artist Peter Brandes.

Se faire une image de la souffrance / Rocca, Ettore. - (2017), pp. 177-202. [10.15122/isbn.978-2-406-07456-4.p.0177]

Se faire une image de la souffrance

ROCCA, Ettore
2017-01-01

Abstract

For Kierkegaard the representation of suffering is impossible. The only possibility is that of a figure that cancels itself out to try to bring everyone back to the perceived reality of the suffering of others, while showing its own insufficiency. The problem of the direct perception of something absent leads to the question of faith, as an analogon of perception. This article concludes with an example of a depiction of suffering: the decoration of the Vejleå Church by artist Peter Brandes.
2017
9782406074540
Pour Kierkegaard la représentation de la souffrance est impossible. La seule possibilité est celle d’une figure qui s’annule pour essayer de ramener chacun à la réalité perçue de la souffrance d’autrui, tout en montrant sa propre insuffisance. Le problème de la perception directe de quelque chose d’absent amène à la question de la foi, comme analogon de la perception. Cet article se conclue par un exemple de représentation de la souffrance : la décoration de l’église de Vejleå réalisée par l’artiste Peter Brandes.
Søren Kierkegaard, aesthetics, representation of suffering, Peter Brandes
Søren Kierkegaard, estetica, rappresentazione della sofferenza, Peter Brandes
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12318/11306
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