The widely held critical view of Francesco Borromini as an architect alienated from the Academy of St. Luke is tied to the presumed ideological aversion shown him by Giovanni Pietro Bellori, supposedly reflected in Bellori’s discourse on the ‘Idea del Bello’, presented at the Academy in 1664. Reconsidering the nature of Bellori’s 1764 discourse and the circumstances in which it was delivered, this contribution offers a less subjective interpretation of the critical components of the discourse, in regard to contemporary architecture and architects. Moreover, this contribution seeks to reconstruct the context of Borromini’s disengagement from Academy affiliations not as an exclusion based on cultural or corporative nature, but rather as the considered rejection of an artistic and professionally autonomous personality, operating entiely outside official models of accreditation.
La diffusa visione critica di Francesco Borromini come un architetto estraneo all’accademia è strettamente connessa alla presunta avversione idelogica nei suoi confronti da parte di Giovanni Pietro Bellori riflessa nel discorso sull’Idea del Bello, letto nel 1664 presso l’Accademia di San Luca. Riconsiderando la natura del discorso di Bellori e le circostanze in cui esso fu pronunciato questo contributo offre una interpretazione meno soggettiva dei suoi contenuti critici rispetto all’architettura e gli architetti contemporanei. Al contempo ricostruisce il contesto della mancata affiliazione accademica di Borromini non come una esclusione di natura culturale o corporativa, ma come un consapevole rifiuto da parte di una personalità artistica e professionale autonoma e del tutto avulsa dal perseguimento di accrediti ufficiali.
Borromini e l’accademia / Manfredi, T.. - (2025), pp. 263-271. (Intervento presentato al convegno Francesco Borromini. 1599-1667 tenutosi a Roma (Accademia di San Luca e Sapienza Università di Roma) - Città del Vaticano (Musei vaticani) nel 11-13 dicembre 2017).
Borromini e l’accademia
T. Manfredi
2025-01-01
Abstract
The widely held critical view of Francesco Borromini as an architect alienated from the Academy of St. Luke is tied to the presumed ideological aversion shown him by Giovanni Pietro Bellori, supposedly reflected in Bellori’s discourse on the ‘Idea del Bello’, presented at the Academy in 1664. Reconsidering the nature of Bellori’s 1764 discourse and the circumstances in which it was delivered, this contribution offers a less subjective interpretation of the critical components of the discourse, in regard to contemporary architecture and architects. Moreover, this contribution seeks to reconstruct the context of Borromini’s disengagement from Academy affiliations not as an exclusion based on cultural or corporative nature, but rather as the considered rejection of an artistic and professionally autonomous personality, operating entiely outside official models of accreditation.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


